Cumulus conference, To get there: designing together
ÉSAA Duperré (Paris), April 12, 2018
This PhD dissertation questions design through programming practices, showing how they cannot be summed up in program industries which prevent inventions from happening. To this end, it confronts, by a non-linear reading, five periods in the Digital History (since Vannevar Bush in 1945, including a new unpublished translation available as an appendix, to the contemporary use of the website GitHub).
Lev Manovich places new media within the histories of visual and media cultures of the last few centuries. He discusses new media’s reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database.
The theory and history of cinema plays a particularly important role. Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.
Our ambition is to form a team of reflection cinema-design associating researchers specialized in one or the other disciplin, or researchers already involved in this type of transdisciplinary problem (arts and cinema, cinema and technique, design and video supports).
Team: Saul Pandelakis, Mélanie Boissonneau, Anthony Masure, Irène Dunyach
Cinema & type design
#01 « Fantômes de la déconnexion » – 06/04/2017
#02 « Assistants personnels, l’ère de Jarvis » – 15/06/2017
#03 « Recherche amour informatiquement » – 21/09/2017
#04 « My other car is a smartphone » – 19/10/2017
#05 « Mini » – 04/01/2018
#06 « Maxi » – 01/03/2018
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